Two Cats — We Missed Feist (2018): Filmed summer 2017 with Jackson's phone. Like the album it's from. We were originally going to use a picture of the double building behind the basketball court for the album cover, but I decided against it because I figured we had enough pictures of buildings for covers already. None of his dancing was done to the music, but a lot of it happened to coincide nicely. Just his luck!

Two Cats — Melon Trees (2018): Jackson filmed this by himself in his basement + room a year after we made the album. I didn't ask him to. I think he was testing out an editing software on his phone; he made a music video for his song, "Hercules", with it, from footage of us walking to the old theatre some night later, but lost it when he deleted the video files from his camera roll.

Two Cats Halloween Special (2019): Curated to the theme of Halloween, music videos of four songs off the grey side of Two Cats' Theatre, Halloween 2017 (extra guitar version), Graveyard (alternate recording), Funeral, and Twin Drill Disruptors (early version). Filmed October 28th and 30th.

Two Cats — I Always Face Death in the Wintertime (2020): Filmed late winter 2019 after the final scene of Video Project 3. It was very cold outside. The song's setting is the city at winter's peak rather than the park nearing spring; but that was when I wrote and recorded the bridge arrangements, while watching Revolutionary Girl Utena. The animated rose frame resource is by DeviantArt user KayinNasaki.

yodudle and SwaggyHajj — Bon McDonald Freestyle / Digital Demon Mind Dungeon (2021): SwaggyHajj and I were discussing one of our favourite videos, Moi j'aime McDonald, and other Québecois art referring to the popular fastfood chain, and so I made this song with him to procrastinate working on my final exam projects. As for the instrumental side B: I had also been watching Marsh's videos overviewing early Megami Tensei media to procrastinate, and I had paused one for a while on a frame of the demon Horkos; it was messing with my mind for some reason, something about its design. According to the game's online wiki, he is "a personification of a curse that will befall anyone who swears a false oath". That night I took a quick nap sleep-deprived and having drank a lot of coffee and entered a sort of dark mental dungeon. According to the game's online wiki, Hesiod stated "the fifth of the month was especially dangerous as being the day on which [Horkos] was born". I had this nap on the night of the 4th of December, so it might've been the 5th; I'm unsure. Sampled audio and background art from Nicolas Mercier. Clown art from CDR.

Cloud Nine Revolutionary Group — Ready to Go (2021): Filmed August 2020. Matt recorded our one-on-one matches under the newly-formed SwaggyHajj Basketball Association. I repurposed the footage into a highlight reel in the arc of a tournament.

Cloud Nine Revolutionary Group — Garden Adventures (2022): Filmed July 2021. Two Cats at play in the forest, park, and streets. We couldn't explore the forest too long because our cameramen kept complaining about the rampant bugs.

Cloud Nine Revolutionary Group — Grinchy (2022): Filmed December 2021. A short music video for Christmas, including a slideshow of relevant images. A picture of the group's gift exchange from that year, edited by Eman, there in spirit.

Jackie H. — Initiation Rituals (2024): An open invitation to begin Miracle Star. The underlying pressures of monotony, alien and rigid, are interrupted by brisk jolts and culminate to a piston shadow dance assessment.

Jackie H. — So Help Me God, I'm Just a Child (2025): Filmed in a Chinese botanical garden in Montreal. How those new-age American egos go in a frenzy. A plea of a world full of children and a lonely pause for tea.

Tape Crew — Anthem (2023): Introducing Tape Crew. Street video at a surreal park by a gothic church, around Halloween, containing threatening violent ideation, flickering horror imagery, and unlawful procurement methods. This video's description announced that the release of the album the song's from was to be six days after its own. This crew must have lofty origins on account of all the gold they're hoarding; pop diffusion!

Tape Crew — Obsolete (2023): The Tape Crew perform in their hideout (The VHS Room), showing a hint of just how high the collection stacks in remarkable variety. Occasional trips to space. Rocking out with style in your face, boasting and fortifying their conditions, the den becomes bouncy. Surely they've secured their relevance.
 A word from Eman, the bard: "Anthem felt like I was being put under a spell, some kind of zombification. It felt kind of like a lost Twilight Zone episode. Obsolete's got a more cozy feeling, like you're sitting in a dimly lit basement watching cartoon reruns with a bowl of chips in the evening. If the videos were in 4D, I imagine you'd smell the faint scent of mothballs and cigarette smoke."

Tape Crew — Rat Pack (2023): Out in the wilderness, shot on the fly, gone fly fishin' with a six-pack, the Rat Pack strikes back swankily.

Tape Crew Anthem (Smackardly Good Version) (2023): A remix by Cameron of the initial three "On the Avenue" music videos for the Smackardly Good version of Anthem by possiblythomas, including outtakes, mirroring, distortion, colour-shifting, and new graphics. Special bonus content.